New Bridge Over the Wear at Sunderland
Robert Stephenson remodelled the Sunderland bridge between 1857 and 1859. It opened for use in 1859. Stephenson flattened the previously curved top of the bridge by raising the abutments.
|
There is a copper plate with this transfer in the Sunderland Museum & Winter Gardens, Tyne & Wear Archives & Museums collection, donated by the Ball family. The transfer plate appears to have been acquired by Scott's Southwick Pottery from Dixon when the Garrison Pottery closed in 1865 and re-engraved in places. It was later acquired by Ball's Deptford Pottery (see end of this page). See the Gauntlet Clipper page for another transfer from this copper plate. Moore's Wear Pottery also had a version of the New Bridge transfer.
|
|
The Moore version (left detail below) has a row of small buildings on the horizon to the right of the central ship's mast. The Dixon (centre below) / Scott (right below) version has no buildings on the horizon to the right of the ship. However, by the time the transfer plate was in use at Scott's, it had been re-engraved and acquired a small scratch on the horizon, shown in the right detail below.
Dixon, Garrison Pottery
A typical rectangular plaque, and slop bowl with Garibaldi in the centre, c1859.
Another similar slop bowl and a moulded mug with faceted sides.
The transfer on two typically decorated Dixon jugs, from c1859–65, with enamelling over the transfers.
A lidded eel pot or butter dish with similar yellow enamel decoration to the jugs above.
Moore's Wear Pottery
The transfer as it appears on a very large mug. Note the long row of buildings on the horizon.
The large marked punch bowl below shows that Moore's Pottery used the old and new bridge transfers concurrently on the same objects.
The transfer on a high-collared jug of a shape and large size associated with Moore's.
A typical Moore Chamber pot with the transfer, c1860.
A jug with the Gauntlet Clipper transfer and elaborate lustre decoration to the collar.
Scott's Southwick Pottery
This is the re-engraved imprint from the copper plate acquired from Dixon's. Note the scratch on the horizon, which also appears on the jugs and three plaques below.
Three plaques of typical Scott form. The right plaque, with orange border c1870, is from the Sunderland Museum & Winter Gardens, Tyne & Wear Archives & Museums collection.
Attributed to Sheepfolds Warehouse
Below, the Bridge 15 transfer printed on a milk-glass rolling pin. Norman Lowe has suggested that the copper plates with these transfers moved to Sheepfolds Warehouse which, employing the principles of division of labour, decorated white earthenware items for both Moore's and Scott's. Sheepfolds were known to have had a side line in decorating rolling pins. The imprint of the transfer is too deteriorated to tell which copper plate it came from.
Photo Golding, Young & Mawyer Auctioneers
Ball's Deptford Pottery, Sunderland
The final incarnation of the transfer on a bowl from Ball's Pottery. On the other side of the bowl there is a spurious Dixon & Co printed mark, under the old bridge transfer. This mark appears to have been added to the copper plate by Ball, apparently with the intention to deceive.
