Thou noble bark... – Sunderland
Garrison Pottery 1
- Half-shaded oak leaves at the top of the wreath.
- Oak leaves have rounded ends.
- Wavy shadow under the ship.
- Block letters with circles for dots on the letter 'i'.
There are two small nicks and scratches that appear on some items. Note the mark to the left of the dotted 'i' in 'bid' (all three details below) and the vertical scratch above the 't' in 'to' (last two details). The first detail is from the plaque above, the second and third from the eel pot and impressed bowl shown below. It is possible that these three items are from a different transfer plate to the jugs above.
Garrison Pottery 2
Dixon appear to have used at least two almost identical copper transfer plates with this verse. The main difference between the two versions is that an additional 'e' squeezed into the penultimate line. The lines on the leaves are also different. The first detail below is from the plaque (Garrison 1) above, the second is from the Crimean bowl below, and third is from the jug with the Mariners' Arms below.
Moore and Co, Wear Pottery, Southwick
The jug has a printed mark 'Moore & Co, Southwick'. It predates Victoria's reign, which began in 1837, because the other verse on the jug begins 'Our King's a British tar'.
Newbottle Pottery
- Unshaded oak leaves at the top of the wreath.
- Oak leaves have pointed ends.
- Pointy ended shadow under the ship.
- Linear letters with single point dots on the letter 'i'.
Below, a smaller jug with the transfer. However, Moore's Pottery appear to have acquired the 'Newbottle' transfer plates in the mid 1850s. With its zig-zag lustre decoration, it seems likely that the smaller jug below was made at Moore's Wear Pottery.
A Scott and Sons, Southwick Pottery
Baker dates the A Scott and Sons partnership at Southwick Pottery to 1829–41.
- Unshaded oak leaves at the top of the wreath.
- Oak leaves have pointed ends.
- Small shadow under the ship.
- Block letters with circles for dots on the letter 'i'.
- Printed mark 'S & Sons' 'Southwick'.
The images below show some of the other transfers that appear with this one. The last item is a marriage mug with the date 1837.
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To the right, an undecorated mug with the transfer. It is likely that this item has firing flaws and was sold as a factory second.
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Scott Brothers & Co, Southwick Pottery
The typical Scott jugs and mugs below have a noble bark transfer with the same attributes as the one above, except that the factory mark has been blacked out. NB the copper plate appears to have been re-engraved all over. It was likely done when the partnership changed to Scott Brothers and Co in 1841.
The final incarnation of this transfer appears on items from c1900, attributed to Ball's Deptford Pottery. Ball's recycled transfers from several of the Sunderland potteries.
Seaham Pottery
Below is the large Seaham jug in the Sunderland Museum, with the painted factory mark, Walker & Co, Seaham Pottery, 1847.
- Unshaded oak leaves at the top of the wreath.
- Oak leaves have rounded ends.
- Pointy ended shadow under the ship.
- Block letters with single point for dots on the letter 'i'.
Earlier imprints of the Seaham transfer with coloured enamels.
Thou noble bark... – Tyneside
John Carr and Sons, North Shields – plate 1 (Seaham transfer)
This transfer comes from the same copper plate as the Seaham-attributed items above (note the horizontal scratch above the 'l' in 'little'). However, the bowl below was likely made after the pottery's closure, which appears to be c1852. The London impressed mark was used by several Tyneside potteries when making wares for a London retailer. This particular impress is know to have been used by Carr, so the bowl is likely North Shields, c1860.
Various nicks and scratches on the transfer on the pedestal bowl below, show it to be from the same copper plate as the bowl above. The wavy decoration is typical of Carr & Sons in the 1870s, and is often seen on orange lustre items.
John Carr and Sons, North Shields – plate 2
Although this jug has an inscription with a birth date of 1824, Sophie Mahy is the person's married name. The jug was likely made in the 1850s.
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This version of the transfer has no dot on the letter 'i' in 'bid'. Inscriptions of French names are common on these jugs from the 1840s and 50s, as there was a great trade of North East pottery with the Channel Islands. |
This bowl appears to be a later imprint from the same transfer plate. The bowl has an impressed London mark with fouled anchor, known to have been used by Tyneside potteries when selling items via a particular London distributor, c1860.
John Carr and Sons, North Shields – plate 3
A bowl from c1870s with orange lustre, and a John Carr and Sons mark with stag's head. The bowl has a degraded and much later imprint from the same copper plate as the jugs above. Again, there is no dot on the 'i' on the word 'bid'.
John Carr and Sons, North Shields – plate 4
The transfer is very similar to Garrison Pottery 1 at the top of this page, and the copper plate might have originated from that Sunderland pottery.
The other transfers on this Carr wash ewer, c1870, are shown below.
Thomas Fell, St Peter's Pottery
- Unshaded oak leaves at the top of the wreath.
- Oak leaves have pointed ends.
- Long curvy shadow under the ship.
- Block letters with circles for dots on the letter 'i'.
Fell pottery is typified by profuse lustre decoration, and sooty black transfers. Note the distinctive squiggle decoration on the first jug below, and the painted lustre sun above the ship on the second jug.
Finally, the transfer on a large jug with an inscription dated 1842.
