West View of the Cast Iron Bridge – bridge 11
Attributed to Phillips & Co, Sunderland – 1807–1812 or
Dixon, Austin, Phillips and Co –1813–1818
This is a variation of Baker's bridge 11 with a Phillips & C Sunderland printed mark beneath.
Photo Anderson and Garland
The shape of the jug and the darker cream body of both the jug and tankard below suggest they were made by one of the earlier Dixon partnerships, pre-1818. The transfer on the jug pairs with another of the 'Sweet Little Cherub'. The mug is bridge 11 without the maker's mark.
Dixon, Austin & Co, Sunderland Pottery (1818–1839) – plate 1
The transfer, Baker's bridge 11, on a large creamware jug with printed marks for Dixon & Co, Sunderland Pottery.
The first jug below has a printed mark under the farming transfer for 'Dixon, Austin & Co, Sunderland'.
Dixon, Austin & Co, Sunderland Pottery (1818–1839) – plate 1
The jugs below have Baker's bridge 11 and strong pink lustre decoration. There are no coloured enamels over the transfer. These jugs likely date from the 1820s.
Two transfer plates
The first three pairs of details below show the deterioration of transfer plate 1 over time. The first pair is from the creamware mug (pre 1818). The clouds are clearly defined. The second is from the later (1820s) lighter creamware jug with the broken handle. The third is from the pink lustre farming jug above. Various speckles and scratches show that these items have transfers from the same copper plate.
After 1815, Phillips acquired a second site for his pottery at North Hylton (the first site being the Garrison Pottery in Sunderland). So Dixon, Austin and Co might have had two versions of the transfer for producing similar wares on two sites. An alternative (and perhaps more likely) explanation is that a new plate was engraved around 1830 when the first plate was worn out. Note the formation of the clouds in the details below.
Dixon, Austin & Co, Sunderland Pottery (1818–1839) – plate 2
The jugs below have a slight variation of Baker's bridge 11 transfer, decorated with coloured over-enamels.
Below, a very large jug with a handle to aid pouring.
And another of giant proportions (13 inches tall), dated 1832.
